Willis and Paul Huldschinsky, the costumes by Irene and Marion Herwood and the film editing by Ralph E. Also worth of note are the set decorations by Edwin B. Bronislau Kaper did the compelling music score, and Cedric Gibbons and William Ferrari the stunning art direction. Browse through every TV series and movie and. Meritorious photography is the contribution of Joseph Ruttenberg, who is in the habit of making his work count. Reelgood is the most extensive streaming guide in the US and UK, with every TV show and movie available online. The others, headed by Emil Rameau as the musical teacher, do yeoman service in brief assignments. Dame May Whitty provides a priceless note of humor as the busybody neighbor, and Barbara Everest scores a solid, if unspectacular success as the cook. Her talents are marked to be able to stand out in such company. A fascinating Cockney maid is portrayed by Angela Lansbury in a debut of great promise. This is the job for which Cukor admirers have been waiting.Ĭotten has a relatively incidental role as a Scotland Yard man, but he does it with dashing presence. He utilizes small mosaics of sharp characterization in building to his climax and works in each facet faultlessly. And he increases his acting stature by playing the part, much as did Robert Montgomery by appearing in Night Must Fall.ĭirection by George Cukor is ever a display of fine craftsmanship. It is a far cry from his average romantic roles, actually his first unmitigated screen villainy. She is saved only by the timely intervention of the police who have never been satisfied with the mystery surrounding her aunt’s demise.īoyer’s performance of the husband is really brilliant. The husband seems intent upon driving his wife insane by psychological suggestion and, with diabolical cunning, lead her to doing away with herself. He plants the thought in her mind that she does not always remember what she has done, that she loses things which have been given to her, that her sanity may be impaired. Without her unforced ability to capture the very spirit of youth, the prologue would have been impossible.įollowing their return to London, a subtle change begins in her husband’s attitude. Miss Bergman is indescribably lovely as the young wife, but even more remarkable is her appearance as the teen-age child, quite the youngest girl you have ever seen an established actress portray seriously. But she gives up her music when she falls in love and marries the man who is her accompaniment, then with her husband returns to Thornton Square. She leaves the old house on Thornton Square, London, to study singing on the Continent. This introduces the heroine as a girl in her ‘teens, deeply touched by the tragedy of her aunt’s mysterious murder. True, a prologue has been added to the original play. In the complete honesty of the melodrama rests its strong bid for outstanding box office. Hornblow is to be congratulated for his sagacity in avoiding the usual Hollywood “production touches.” He has a melodramatic tale to tell, and he gives it to audiences straight-from-the-shoulder. George Cukor's fantastic direction of this intriguing and suspicious tale will keep you on the edge of your seat.There is the properly terrifying atmosphere of the Drury Lane era in this piece, the emotional content of which relentlessly grips and holds absorbed interest. Watch for the emphasis on foreshadowing and the beautiful lighting achieved in Gaslight, as well as the particular attention to the many details that make it spectacular. Brian Cameron, played by Joseph Cotton, makes his appearance later in the film but is wonderful nonetheless. As the high-strung wife, Ingrid Bergman gives an outstanding performance. Charles Boyer is exceedingly ominous as Paula's obsessive husband. The cast's flawless talent makes the film absolutely unforgettable. The murderer remains at large and his next potential victim has returned to the very house where the first murder was committed. It seems the police cannot find a motive for the murder but when a new young assistant comes to Scotland Yard, he sees something that others did not notice or would not pursue. Fear is an essential element in the story. "I've found peace in loving you," Paula says and decides with the help of her husband, she is ready to face the past. After living ten years trying to forget the past, Paula returns to her house in London at the suggestion of her new husband, Gregory (Charles Boyer). The magnificent Ingrid Bergman portrays Paula, the niece of the deceased woman. It is nighttime in London and a murder goes unsolved. The first scene establishes the dreary tone of the film.
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